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to jim, drums are amazing!
mock tortoiseshell, shiny chrome,
screws, pedals, skins and cymbals...
all with a palpitating potential,
for boom, crash and burn..
elvin’s preferred weapon.

whereas to me, they’re mundane,
a means to an end, tools of trade
it’s jim’s drawing that‘s amazing….
all raw imagination, whack!
straight on the paper, no hang-ups,
preconceptions, all pure aesthetics.

wild whorls, a squiderly reef,
a bike, a ship, a whale
or outboard motor,
a huge superstructure,
ladders, rigging, a solitary diver…
and in the sky……
is it bird, insects, or pirates?



released July 3, 2006

Andrea Keller - Piano
Tamara Murphy - Bass
Allan Browne - Drums

Produced by Andrea Keller, Tamara Murphy, Allan Browne.
Recording originally commissioned for 'Jazztrack with Mal Stanley' on ABC Classic FM. Recorded direct to two-track.
Recorded and mastered by Mal Stanley.
All tracks Control except track 1 by H. Mancini & J. Mercer (Warner Chappell)
Design by Pete Barrett.
Photography by Megan Evans and Michael.

Thanks to Mal Stanley for his superb engineering.
Megan and Michael at Bennett's Lane, Andrew & Joe & Sheena at Jazzhead, Adrian and Martin Jackson, The Jazz Doctors, Mick, Jim, Rita, Euge, Julie, Donna, Ray, Margie, Hayley, Stella, Billy, Ollie & Miles.

'the days of wine and roses'
is dedicated to the wonderful
and charismatic pianist, singer
and broadcaster robin forsaith,
who is no longer with us.

we share the days,
the wine
the inexorable groove
out of gotham.

oh! And standards too,
precious families
and the chic, schmuck city
with an empty robin's nest;

sydney's glow has dimmed.

Allan Browne



all rights reserved


Andrea Keller Melbourne, Australia

Three-time ARIA Award winning jazz pianist Andrea Keller is best known for her ensemble ‘The Andrea Keller Quartet’ and her recordings of the music of Bela Bartok and Wayne Shorter. The inaugural winner of the MCA/Freedman Foundation Jazz Fellowship (2001) has released many albums as leader and also includes two Bell Awards among her achievements (2003, 2008). ... more

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